Sculpture and works on paper at The Armory Show, New York 7-11 March 2018.

Camille Norment Studio

Camille Norment participates in the Thailand Biennial 2018

Camille Norment Studio

Ryuichi Sakamoto and Camille Norment perform at The Stone in New York

Camille Norment Studio

Lull at SFMOMA

Prime, haptic sound installation. Drawing.

Camille Norment + Ryuichi Sakamoto Collaborative Performance 

Camille Norment Studio

Rhythm Wars - Interval (2016), new permanent outdoor sculpture

Rapture three volume publiation now available for purchase

Rapture, a solo project for the Venice Bieniale 2015, Nordic Pavilion.

Camille Norment Trio

The Armory Show 2018

Camille Norment exhibitis work as a special guest artist in the New York Armory Show with Oslo gallery, Galleri Brandstrup.
7–11 March, 2018
Pier 94, Booth 826
New York City

Selections from Refrain and Deviations and Resonance on view

Solo exhibition - DRAWING and SCULPTURE

4 May - 25 June 2017
Oslo Kunstforening

Top 12 Sound Artists Changing Perceptions of Art

Artnet ushers in the fall 2016 season with a listing of the top 12 sound artists changing people's perception of art, including Camille Norment.  "12 Artists Changing Your Perception of Art"

La Biennale de Montréal 2016

Camille Norment to participate in the Montréal Biennial 2016 with installation and performances.  
19 October 2016 — 15 January 2017

Kochi-Muziris Biennale 2016

Camille Norment to present new work in the Kochi-Muziris Beinnale 2016 in Southern India. 12 December 2016 - 29 March 2017.

“Toll” 5.1 surround outdoor soundcast at Art Basel Miami Beach

On Friday 5 December 2015 at 6pm, the Toll project is soundcast in the Artists Surround Sound Project at Art Basel Miami Beach, on the New World Symphony Center's Meyer Sound 160-speaker array system in SoundScape Park.  Camille Norment will also participate in the Art Basel Miami Talks Program on Saturday 6 December 2015, 2pm - 3pm at the Miami Beach Convention Center. 

‘Rapture’ at the Venice Biennial of Art 2015, Nordic Pavilion 5 May - 22 November 2015

Camille Norment Presents Rapture, for the Venice Biennial 2015, a project consisting of a solo exhibition in the Nordic pavilion, a performance series, and a 3-part publication series.
 5 May - 22 November 2015, Nordic Pavilion of the Venice Biennial of Art.
Performance Schedule:
6 May:    Camille Norment Trio, 2:30pm
7 May:    Camille Norment Trio, 2:30pm
8 May:    David Toop and Camille Norment, 5:00 pm
10 June: Camille Norment Trio, 2:30 pm
11 June: Featuring vocalist Sofia Jernberg, 2:30pm
12 June: Camille Norment Trio, 2:30pm
20, 21, 22 November:  Finissage Performances!  Camille Norment Trio, on Saturday featuring Sofia Jernberg 2:30pm.
Publication:  Three - part publication exploring the broader sonic and social framework of Rapture's investigations. Part 1 now available through OCA.


Celadon is now released on Important Records.
Per Gisle Galåen, harmonium and zither; Camille Norment, glass armonica; MajaRatkje, voice and bells; Jon Wesseltoft, accordion organ and harmonium.

"Celadon provides a hard-edged, aesthetically polished surface on which sounds can work out their strange frictive energies." The Wire, August 2015

Body Language - The First Cross-Pavilion Artist Talk at La Biennale di Venezia

A discussion between the artists Joan Jonas (U.S. Pavilion), Camille Norment (Nordic Pavilion) and Pamela Rosenkranz (Swiss Pavilion)
Moderated by Tim Marlow, Director of Artistic Programmes, Royal Academy of Arts, London
Introductions by Jan Dalley, Arts Editor of The Financial Times, and Katya García-Antón, curator of The Nordic Pavilion and Director of Office for Contemporary Art Norway (OCA)
Media Sponsor: The Financial Times
8 May 2015 
Talk: 2–3 pm 
Reception: 3–4 pm 

Location Teatro Piccolo Arsenale 

Solo Performance Series

Commissioned to Accompany the Lyden av Kunst Exhibition Tour

OTO Residency - Collaboration with David Toop

London, 2014 - 2015


The body is a site where various forms of knowledge converge. This knowledge is a manifestation of the information that the body has gathered, conscious and unconsciously, in a reckoning with its sensory experiences, creating our sensory knowledge spaces.

Multi-media artist Camille Norment’s work utilizes the notion of cultural psychoacoustics as both an aesthetic and conceptual framework. She defines this term as the investigation of socio-cultural phenomena through sound and music - particularly instances of sonic and social dissonance, and works through sound as a force over the body, mind, and society. Composing through forms including recorded sound, installation, drawing, and live performance, she applies this concept towards the creation of critical artworks that are preoccupied with the way in which form, space, and the body of the viewer create experiences that are both somatic and cognitive.
Norment’s process values an on-going negotiation between the control of strict composition and the intuition, or ‘unknown’ of improvisation.

While highly concerned with aesthetic experience, the work simultaneously spans the thresholds of the social and the political, often utilizing specific cultural symbols from various social realms, as ‘quiet’, but potent elements in the work. As such, a singular element specifically charged in one context is expanded to reveal a macrocosm of inter-contextual narratives.

The performance ensemble Camille Norment Trio, is comprised primarily of the Norwegian hardingfele, electric guitar, and glass armonica. Each of these instruments was once banned in fear of the psychological, social, or sexual power their sound was thought to have over the body, and the challenge they represented to social control.

Camille Norment represented Norway in the 56th Venice Biennial of Art (2015), with a three-part project that included a large-scale sound and sculptural installation, a publication series, and a sonic performance series.
In the past two years, Camille Norment’s highlights include performances with Ryuichi Sakamoto in Japan (2017) and New York (2018), commissioned performance with pianist Craig Taborn at the Armory in New York (2016), both performances and exhibitions at the San Francisco Museum of Art (SFMOMA) (2017-8), the Pushkin Museum in Moscow (2016), and the Festspillene Festival in Bergen, Norway (2016), solo exhibitions in Norway (2017) and Ireland (2017), and participation in the Lyon Biennial (2017-8), Montréal Biennial (2016), and the Kochi-Muziris Biennial in India (2016).
A recent span of her extensive international exhibition, performance, and permanent public artwork credits also includes: Jazzhouse, Copenhagen (2016); Lisboa Soa (2016); an outdoor surround sound broadcast feature at Art Basel Miami (2015); Ultima Contemporary Music Festival (2015); exhibition and performance in the Museum of Modern Art, New York (2013); a commissioned artwork and performance for the Museum of Contemporary Art, Oslo (2012); Henie Onstad Art Center (2011 permanent sound installation). Norment’s work has been written about in periodicals such as Frieze, Art Forum, Art in America, The New York Times, Kunst Kritikk, Aftenposten, The Wire Magazine, Cleveland Classical and numerous other international texts. Camille Norment has been featured in several recordings and her work has been broadcast in radio features including NPR in the U.S., Norway's NRK radio, and the UK's BBC.

Camille Norment was born and educated in the U.S., and began her professional career with 12 years in New York before relocating to Oslo, Norway where she now lives and works.
Camille Norment Studio


Camille Norment Studio

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Work Opportunities

Camille Norment Studio is supported by a range of talented businesses, institutions, contractors, and interns, and we are always on the look out for talented individuals with an interest supporting the production and daily operations of the studio. If you have special media skills, please feel free to send your resume at any time.